I've just had a weird experience. I read that Maori TV was screening a movie called "Avalon", by Barry Levinson, and that it was about an immigrant family adjusting to life in New York. Here's how the New York Times review by Janet Maslin starts:
"In the fond overflowing family album that is Barry Levinson's ''Avalon,'' the prevailing symbol of both unity and discord is a Thanksgiving turkey. Or a ''toikey,'' as the participants put it, since the Krichinskys are an immigrant Jewish family in Baltimore and their every bantering, nit-picking conversation carries hints of the Old World."
Great, I thought, I'll watch that. I don't watch many movies on TV because I can't stand the ads, but this one looked good and wasn't something I'd easily stumble across for rent.
But when I switched on, it turned out to be something completely different - a weird science fiction epic. So I looked it up on line, and found that as well as the 1990 Levinson film, another "Avalon" was made in 2001:
"Avalon marks longtime anime director Mamoru Oshii's (Ghost in the Shell, Patlabor) first venture into the world of live action films, bringing a other-worldly vision to what might have been pedestrian fare in the hands of most other directors. For all of its high-concept theories about what is real and what is simulation, Avalon actually scores more points as a unique visual experience much more so than as a richly detailed story."
Oh dear. Did Maori TV think it was getting Levinson, and Oshii was supplied by mistake? Never mind - it's sent me back to the keyboard instead, which is a Good Thing.
The New Zealand Post Book Awards, presented last week, show what good health Victoria University Press (VUP) is in says Publisher Fergus Barrowman. Six V...
1 hour ago